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Reduction in costs, greater mobility, even more control over one’s work; these have been the primary motives behind Luciano Emmer’s decision to film using such a versatile medium as the digital camera, which does not hamper his approach to the essential cinema of stories. It is here when his extraordinary and ever-present female figure appears, the shepherdess Cheyenne Daprà, who we follow in her daily chores for four days, one in each season of the year.