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In 89 Millimetres, Sebastian Heinzel sets out on a journey to Belarus to find out how six young people of his own age live their lives and how free they really are in a young nation that is torn between stagnation, protest and emigration. He meets a political refugee, members of the Resistance, a house painter, a Go-Go-dancer, a journalist without any prospects, and a soldier devoted to his country. The film is a stunning portrait of a generation that tries to find its own way after the breakdown of the Soviet Union. 89 Millimetres, the distance that railways in Belarus are wider than those of its Western neighbors, also stands for the little difference between life in Belarus and in Western Europe. Not a big difference. But here, right on the border of the new European Union, opens the gate to a new world. Some say, to the last dictatorship in Europe.